![]() If we carry on using this idea we will end up with the following chords that share notes belonging to C major. So the notes E, G, B would come from the chord formula 1-b3-5 which is also a minor triad. If I wanted to raise the pitch of the song I could use a capo. These three chords can establish the sound of the key of G. We could say this song is in the key of G. For this example will use the G chord, the C chord and the D chord. The notes belonging to E major are: E F# G# A B C# D#. Raising the Key or Pitch of a Song This start by using an example of a song that starts with the G chord. The third chord has the notes E, G and B, likewise we will use the E major scale to figure out what kind of "E" chord it is. So the second chord in the key of C major is D minor. By now you should recognise that as a minor triad. Therefore D, F A with respect to the D major scale must be 1-b3-5. We know already that the formula for the major triad is 1-3-5, which in D major would give us the notes D F# A. The notes in the D major scale are D E F# G A B C#. For this then, we will need to know how the notes D, F and A relate to the D major scale. For example, the second chord in the sequence starts with a D so we can use the D major scale to find out what kind of chord it is, using the formulas we have discussed so far. We can figure out what chord each one is by associating each root with it's relative scale. 2- C Minor Innocence, sadness, evokes yearning, lost love, love-sick soul. Keep reading to find the key you need 1- C Major Innocence, pure, simple, happiness, naivety, unadorned, natural, religious. There are twelve key signatures, each derived from the twelve available notes. This gives us seven triads that all belong to the key of C major. There is no black and white here, before choosing a key try some keys and make your decision. Key signatures tell you what notes in a scale are sharp () or flat (). We can easily find all the triads that belong to the key of C major by stacking third scale intervals, starting each note in turn from the C major scale. In the key of C major for instance, up until now, we have only been concerned with all C chord variations. We can however treat each note in turn as the root note to find all the different chords that can be derived from the notes of one scale. So far we have learnt that chords are built by stacking scale intervals in thirds from the root note. Let's begin by understanding how a bunch of different chords can all belong to one scale. ![]() The chords alone won't always tell the full story, for instance, a chord progression containing only the chords F, C and Dmin could belong to the key of F major or C major. For the moment it's best to take that as a loose description because there are a few things to think about here. When we say a song or piece of music is in a particular key, it usually means that all the chords are derived from one scale type.
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